611 Royalty-Free Audio Tracks for "Filtered Sample"

Sounds that were created during a mixing session. I cut out my favorite samples.

I mashed together 3 sounds, water, outside and some bass via a synth then filtered.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): proto filternote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): square filternote: c1midi note: 24midi velocity: 10.

A long shaku-sample,which may be playedabout two octaves or more. I used magix and audidity for addinga third harmonic and high pass filtering.

A wobble created with ableton live native instruments and effects.

This sound is an extremely distorted sample of breathing suitable for use in horror soundscapes. It was created by taking the sound of breathing and feeding it through multiple filters in audacity. The filter sequence used is as follows: reverb, volume boost, static, phaser, bass boost, barry's satan maximizer, amplifier.

Guiro sound made of rim shot sound in behringer rd-8 with built-in high pass filter and retrigger with accent. Recorded with zoom h1 at 96khz and 24bits. Filtered of low range noise, tirmmed and normalized in edison in flstudio. Editing made sample 32-bit.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Dual, detuned oscillators are fed through 2 filters. One sweeps from beginning to end, the other is increased for each of the six samples in this set.

Horn stretched and morphed from an old record sample, with added effects like auto filters lfo, eq, etc.

A sample i made years ago. Pitched way down to create a seamless loop of ambience with two automated notch filters and an automated bandpass filter on flstudio's pmeq2. If required, i can process this sound again with different filters for those who request it. This is not the fully opened sound. Hope you enjoy ^_^~byngsies.

This sound is from andriala's sound, i just filtered, warp at 80bpm and pass true a reverb. Original sample :http://www. Freesound. Org/people/andriala/sounds/16651/.

This is a synthetic sample replayed in several octaves, run through at least 10 filters and sends and replayed several times to get a complete effect.

A low pass filtered bleepy loop to complement the learner strings loop sample. Sounds like tommorrows world infotainment. Under the sea ?.

This is the second recording of a plastic tube which is meant for a filter system in a pond. Recorded by tapping at one end (i think i used a pen or pencil) & recording at the other.

This is a sample of a classic (diy) dubsiren build by me. Its a squarewave synth modulated with a squarewave lfo. The sample is dry. Add delay and some chorus, reverb, (resonant) (auto) filter or so to get the typical dubby soundsystem style.

The sample are mixed and processed. The fade-in/stopping done by filters & the noises, the full sample done by glitching, granulize & adding more sounds: doorclosing, drive starting, -stopping & dooropening/drive ending.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

Created by cranking a filter to max resonance, adding distortion, then slowly sweeping the frequency control on a bit crusher.

Slow hip hop loop made of my own one-shot samples and processed with a few filters. Snare has a fair re-verb to make the sound more fluid.

Chorusharp,created with audacity. Analysis and resynthesis of an electric harp sound. For the plucknoise i added a filtered white noise. No samples used,my own creation.

The electrocardiogram of a dying man-machine. 2 synthesizers used: sample & hold lfo for pitching and filters, sine waves for electriocardiogram. Delay, chorus, eq. . .

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

Udu dreum samples from. Iyankchttps://freesound. Org/people/iyankc/. Processed with the sfb (saturation, filters). Loud, metallic.

Chromatic notes starting at c0. Really sweet double delayed saw waves with lots of harmonics. Drop this into your sampler and hit it with a low pass filter and get a good groove going. Enjoy!.

An inhuman sample with a ghostly feel. The original recording is a bed-frame being it, reversed, time-stretched and filtered with a strong reverb.

Not sure how to describe it, so i'll just describe how i made it. . Micro sampled something in g minor, added tons and tons of lfos to filter modulation, with more filters, and eq and utility, and tons of effect plugins like vinyl, lofi2, saturaters, yeah yeah. . All that stuff.

I created these clicks as the ones that come stock in daws can be quite nervewrecking. For this i used the steinberg retrologue, soundtoys devilloc and a lot of filtering and eqing.

Kick from my first sample session with my fresh eurorack:- envelope generator: make noise maths- oscillator: doepfer a-110-1 vco- filter: doepfer a-124 vcf5 wasp.

Stereo recording of water running. Recorded on an electret microphone. Has been processed and filtered. All elements have a ying\yang property in that they can destroy or aid life,so my samples are mediating the difference between them.

A simple but not so simple and therefore nice sound for your drums and percussion (coming from 4 directions (((: ). Maybe some filtering is needed.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/only addition is some sort of bass drum made with trig to filter.

This is a plastic tube meant for the filter system in a pond. I realised that it made a pretty cool sound when i tapped it at one end & recorded at the other. I have also uploaded another few taps with a harder object.

Sample rate 44100,format file wav 16 bit,microphone: tascan dr 40, without filter and deadcat, only mic, xy rec.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.

Jovica's hi-hat sample filtered and boosted a bit to bring out the high tone without the percussion tap. Similar to the tone between pages of a primary school reading book record.

Birds on street sardegna italy,sample rate 44100,format file wav 16 bit,microphone: tascan dr 40, without filter and deadcat, only mic, xy rec.

A simple hi-hat turned down to 31 bpm, (key: c, major pentatonic), repeated and "randomized". Effects are made with a squeeze filter.

Removed the hum from cognito-perceptu's pill-bottle-4 sample. Original sample had truck in background in addition to some low frequency hum. Used the remove hum feature on izotope rx2 and, presto-chango, no distracting background noise. Now there is still a high frequency hum which i did not touch. I think this could be mitigated with a low pass filter in eq if you choose.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Sample of a metallic percussion hit. The sound is quite dark and muffled. I call it underwater drum, because it sounds to me like it's underwater. This sample is tuned to a1 but there is a very dominant overtone at b1, which is the musical interval of a minor second. The source of the sample was the platter of a dismantled hard disk drive, hit with a wooden mallet. It was then pitched down a lot. The sample is almost raw, i just added some slight eq. The sample was intended to be used with a sampler, you may want to add some reverb for this and filter the previously mentioned overtone, when you use it in combination with other tuned instruments. Also, the pitch is probably not perfectly tuned. Microphone: akq perception 120post-processing: pitch manipulation & eq.

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

This is a sound of vintage soviet transistor organ junost 75. I have sampled one tone per octave in its 5-octave range, which is sufficient to re-create the original sound (tested on ensoniq asr-10, korg tr6 and casio ctk-900). But if you use only the middle sample, you can still simply create a great combo organ sound. This sample has ben recorded while all 4 registers were switched on. For succesful re-creation i recommend to slightly decrease filter cut-off, to add some resonance and fast vibrato. Enjoy!.

Created this sample using only audacity. I started off by generating a square wave chirp between 10000 and 20000 hz on a mono track, copied this created a stereo track and messed around with timestretching and low pass filtering until i got the desired sound.

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.